Ever since I dyed some of my silk tram, I’ve been thinking that I should do some brickwork embroidery. The long parallel stitches really show how beautiful the shine of the silk can be. I didn’t want to do a pouch, though. Everyone does pouches, and while I’m okay with that, I wanted to do something different. Enter Helene, who reminded me of a saint-themed event that was coming up, and suggested I make a reliquary box like this one from Medieval Arts & Crafts. She was also kind enough to suggest one of the patterns she charted, that was suitable for something horizontal, like the sides of a box.
I chose to use the cochineal (incidentally, my dyeing source says that the reason the cochineal turned out so dark-purple was that it must have leeched out some of the iron from the jar lid), onion-skin, and undyed silk for the colors. I ran out of the purple and decided to finish it off with some teal-ish silk I made by over dyeing indigo with onion-skin.
The finished embroidery. Next time, putting the box together.
Remember my indigo dyeing adventure last time? And how it didn’t turn out so well for my cotton yarn? Well, after I got it all untangled, I decided to bite the bullet and dye it again. Of course my hands turned blue again…
But I got a darker yarn. Here you can see the difference in the first dye-bath blue (the tiny skein), and the second dye-bath blue (the large skeins).
This picture is much more color accurate, and shows the blue and natural cottons next to each other. They look really beautiful and vibrant together.
I finally processed all the pictures from the Natural Dying symposium I went to in September. Somehow, I thought I’d done it already. Better late than never, I suppose.
Mordanted fabric strips and threads. We used strips of cotton and linen fabric, and wool and silk embroidery threads, so see how each material took the dyes. A bajilliopn pictures after the jump.
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